The crowd roars. The pressure is on. You need the right sounds at the right time. The massive 32 GB memory will hold your entire music catalog for multiple gigs. With 1,550 onboard samples, 200 lock-and-loaded kits, and balanced outputs, you can put the SPD-SX PRO to work right out of the box. Plus, easily sort and search your sounds with sample tags—no more searching for a needle in a haystack.Playing in the dark just got easier. The SPD-SX PRO features a large 4.3-inch color screen with backlit function buttons, tabs, and a jog-dial for lightning-fast sound selection. The display shows essential real-time information such as A & B sample layers, WAV sample names, sample playback progress, and more.
When the lights go down, the PRO lights up. Customizable pad-dividing LED and trigger lights let you see all nine pads on dark stages—goodbye gaffer tape! Assign any vertical or horizontal light to one of ten preset colors or create and name your own. Group together kicks, snares, backing tracks, and clicks with their own assigned color. And set the horizontal pad lights to be on constantly, light only when a pad is struck, or flash dynamically with its assigned WAV.
Storage worries are now a thing of the past. With 32 GB of internal memory, the SPD-SX PRO holds nearly 44 hours of crystal-clear 48 kHz/16-bit stereo audio. And there’s no need to fuss with converting your source formats. You can load 48/44.1 kHz WAV, AIFF, and MP3 files with varying bit rates, and the SPD-SX PRO will automatically convert them to its native 48 kHz/16-bit audio format—a huge time saver.
The SPD-SX PRO comes loaded with 1,550 high-quality sounds and 200 kits (43 erasable preset kits and 157 user kits). And in the heat of battle, the SPD-SX PRO’s processing power lets you swap to a new kit without cutting off the sound of the existing kit—so as the audio decays at the end of the last sound that you played, you’ve already changed kits ready for the next track in the set. Need even more options? Dive into Roland Cloud sample libraries and explore the ever-expanding selection of sounds.
It’s easy to create custom sound layers when you assign two sounds to a pad. You can assign a sound as the MAIN layer within the pad menu and then select another sample to layer with your original sample—resulting in MAIN and SUB sounds on the same pad. Then alternate between MAIN and SUB layers. You even have separate volume, pitch, transient attack, and release control for each sound, so you get the perfect blend of layers.